I Call Your Name / Je Vous Appelle – Les Chauds Lapins

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about

This weeks song is an French re-imagining of I Call Your Name (Je Vous Appelle). The Beatles (Les Beatles) connection to France goes back a long way.

In September 1963, two weeks before his 21st birthday, John’s Aunt Elizabeth, who lived in Sutherland, Scotland, sent John £100 as a coming of age present. Together with Paul, he decided to go on a trip to Spain, although they only got as far as Paris.

After the Beatles evening gig at Knotty Ash Village Hall on Friday 29 September 1961, the group took a break while the duo left for a fifteen-day trip abroad.

Some reports have suggested that the two of them left without informing George or Pete, who were so angry that they almost left the group.

Stuart Sutcliffe had informed John by post that Jurgen Vollmer, their friend from Hamburg, had moved to Paris, and he provided them with his address. During the trip they visited Jurgen who was to write about the visit and said that they wanted to have their hair cut in the same style as his. So he gave them both their first ‘Beatles’ haircut in his hotel room on the Left Bank.

Jurgen wrote:

“At that time, the rage in Paris was bell bottoms. The Beatles always wore very tightly cuffed, or ‘pegged’ pants with pointed shoes or very pointed boots. They were ‘Teddy boys’ in the English-fashion and dressed in black leather and black jeans…John and Paul wanted to dress more in the Paris fashion, but they were afraid to look queer in their home town of Liverpool.”

John and Paul stayed in Montmartre for a week and planned to travel on to Spain, but their money ran out. On their return to Liverpool they stopped off in London where they bought some Chelsea boots, which were later to become fashionable as ‘Beatle boots.’

It was around this time that John wrote “I Call Your Name”. In 1963, he gave the song to Billy J. Kramer of The Dakotas, another Liverpool band who managed by Brian Epstein and signed to Parlophone by George Martin. Lennon hated the Dakotas’ arrangement of his song as well as it being relegated to a B-side.

When The Beatles needed more material than they could write in 1964 Lennon re-arranged the song. It first appeared in the US on the Capitol Records release The Beatles’ Second Album, appearing later in the UK on the EP Long Tall Sally.

No horrible loud tambourine on this version but there is a cowbell so loud that it made my eyeballs hurt.

There is a little controversy about who wrote this one

John:
That was my song. When there was no Beatles and no group. I just had it around. It was my effort as a kind of blues originally, and then I wrote the middle eight just to stick it in the album when it came out years later. The first part had been written before Hamburg even. It was one of my first attempts at a song.”

Paul:
“I Call Your Name was written in Lennon’s aunt Mimi’s house in Menlove Avenue, Liverpool. We worked on it together, but it was John’s idea. When I look back at some of these lyrics, I think, Wait a minute. What did he mean? ‘I call your name but you’re not there.’ Is it his mother? His father? I must admit I didn’t really see that as we wrote it because we were just a couple of young guys writing. You didn’t look behind it at the time, it was only later you started analyzing things.”

My take on it is John probably had the whole thing done and Paul tweaked a few parts of the melody.



Je Vous Appelle

Je vous appelle
Vous n’êtes pas là
A qui la faute?
D’être déloyal

Je n’en dors plus la nuit
Depuis qu’vous êtes parti
Je retiens mes larmes
Même si rien ne me calme!

Non! Je n’le supporte pas
Qui donc le pourrait?
J’ne réussirai jamais
Je n’suis pas une femme comme ça!

Je n’en dors plus la nuit
Mais tout de même
Je retiens mes larmes
Je vous appelle

Non! Je n’le supporte pas
Qui donc le pourrait?
J’n’y arriverai jamais
Je n’suis pas une femme comme ça!

Je n’en dors plus la nuit
Mais tout de même
Je retiens mes larmes
Je vous appelle
Je vous appelle
Je vous appelle

ABOUT THE ARTIST

Les Chauds Lapins (“the hot rabbits”), lead by New York’s Kurt Hoffman and Meg Reichardt, specialize in a repertoire of French swing from the 1920’s through the 40’s. The group has re-arranged long-forgotten French classics for banjo-ukes, string trio, guitar and winds, mixing the rootsiness of early American jazz with the lushness of a Bernard Hermann film soundtrack.

Les Chauds Lapins is French for "hot rabbits": lust-filled animals intent on seeking — and finding — pleasure. "Amourettes," Les Chauds Lapins’ second album, is the result of that quest for pleasure.

www.leschaudslapins.com

credits

from A Hard Days Night, released August 14, 2012
Ukulele Version #138 recorded August 2011

Meg Reichardt voice & ukulele
Kurt Hoffman banjo ukulele
Jessica Pavone viola
Garo Yellin cello
Andy Cotton bass & brushes

French lyrics by Meg Reichardt & Marion Pensole
Arrangement by Kurt Hoffman

Produced by Les Chauds Lapins
Recorded and Mixed by Meg Reichardt at Soapbox Studio, Brooklyn, NY, August
2011.

For essay and more info:
thebeatlescompleteonukulele.com/2011/09/138-i-call-your-name-je-vous-appelle-les-chauds-lapins/

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The Beatles Complete On Ukulele New York, New York

Every Tuesday from January 20, 2009 until July 31, 2012 The Beatles Complete On Ukulele released a new recording of a Beatles song* featuring a ukulele sung by a different artist.

These albums are a compilation of those recordings.

*we consider a Beatles song to be one of the 185 original compositions released by The Beatles between 1962 and 1970.
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